Briefly, for those unfamiliar with Charles Manson, he was a guru who founded a sect of drug-addicted murderous hippies in California in the 1960s, nicknamed the "Manson Family". A jack-of-all-trades – music, poetry, etc. – Manson, afflicted with megalomania, dreamed above all of a racial war between Whites and Blacks, from which he would emerge as a guide, he would later claim.

To achieve his ends, Manson had wealthy white Californians assassinated, attempting to blame the murders on Blacks by leaving evidence suggesting as much. This was done to provoke the chaos he hoped for in order to put an end to a society he held responsible for his misfortunes. He sent his followers to carry out his dirty work.

Thus Manson dispatched members of his sect to exact revenge on a music producer who had once refused to sign him. The producer was not there, but present were Sharon Tate, the young wife of Roman Polanski, who was absent at the time, as well as friends. Horror was about to unleash itself upon them, reaching its apex in this scene: "Susan Atkins recounts thus responding to Sharon Tate, who was begging her to spare her to save her baby's life: "Woman, I have no pity for youˮ, before slashing the actress's body with sixteen knife blows. Her corpse would be found with a nylon cord around her neck, tying her to the body of one of her friends, Jay Sebring. "

https://www.ina.fr/ina-eclaire-actu/charles-manson-le-gourou-de-la-mort

https://www.tueursenserie.org/charles-manson/

Manson was tried, initially sentenced to death, a sentence later commuted to life imprisonment where he had a swastika tattooed on his forehead and, having become a celebrity, received numerous visits. He died in 2017, having meanwhile become a popular icon found in films, songs and books. As for Susan Atkins, she died in prison of cancer, having converted to born-again Christianity, she who believed Manson was… Christ himself!

Let us return to Claire Tabouret, who lives in Los Angeles, in the neighborhood where some of Manson and his Family's crimes took place. The story does not end there, for this French painter – overrated, as she does not break three legs on a duck either! – also appears to be fascinated by Charles Manson, as our friend Nicolas Stoquer discovered, among the first: "Among viral publications is that of Nicolas Stoquer, animator of Radio Courtoisie, who affirms that certain figures represented in Claire Tabouret's projects would recall Susan Atkins, member of Charles Manson's sect implicated in the 1969 murders." Atkins would not be the only one represented among the Family, and through the features of an apostle one can see a disturbing resemblance to Manson, in an obscene posture moreover.

https://tribunechretienne.com/notre-dame-de-paris-parfum-de-scandale-et-bataille-judiciaire-autour-des-nouveaux-vitraux/

https://www.annebrassie.fr/suite-du-feuilleton-vitraux-de-notre-dame/

Thus, we would have the Virgin Mary represented in the features of Susan Atkins, that is to say the absolute antithesis of the Virgin, who did not hesitate to murder a pregnant woman begging her to spare her baby's life. Atkins moreover called herself "daughter of Satan" and had a pronounced taste for spilled blood. Blood, we find it in certain portraits, the mouth stained, by Claire Tabouret. The artist would have even purchased "part of the Barker Ranch. This site, located in the Mojave Desert, is world-renowned for having been the refuge of Charles Manson's sect".

https://geopolitique-profonde.com/videos/manson-vitraux-notre-dame/

Bestselling crime novel author Patricia Cornwell did indeed see in certain paintings by Walter Sickert, themselves admittedly troubling, proof of what she advances after extensive research, namely that this British painter would be Jack the Ripper, and her interpretation was not without merit.

Thus, one and all may claim these are frivolous insinuations, even gratuitously polemical, from the "far right", but it must be understood that the so-called cultural milieu maintains very strange relations with serial killers.

(Among the detractors of the theory that Claire Tabouret's Virgin bears a strong resemblance to Susan Atkins is the association Sites & Monuments, which declares: "Not our fight, need we say? This delusional interpretation of Claire Tabouret's stained glass windows belongs to those who propagate it." However, they do not explain why it would be false, for lack of arguments perhaps…)

Thus, the ex-partner of Vanessa Paradis, American actor Johnny Depp, is for example fascinated by the "works" of John Wayne Gacy – not to be confused with the hero of The Longest Day! – a particularly sadistic serial killer who murdered a large number of young men whose corpses he buried in the crawl space of his house. Executed in 1994, Gacy too became a popular icon and his works have even been exhibited.

https://www.tueursenserie.org/john-wayne-gacy/

https://archive.nt2.uqam.ca/revuecaptures-org/contrepoint/exposer-les-%C5%93uvres-d%E2%80%99un-tueur-en-s%C3%A9rie.html

Fascination with serial killers is deeply rooted in popular culture. One need only see the enticing programs offered by online video platforms devoted to serial killers to understand how much they exercise an unhealthy attraction. And the character of Hannibal Lecter – invented by American writer Thomas Harris – is proof of this, even though he is harmless as pure fiction.

It would therefore not be surprising if Claire Tabouret had succumbed to this morbid attraction. Except that we are speaking of Notre-Dame de Paris and that this would represent an outrageous insult hurled in the face of Catholics in France and throughout the world. And to those who would argue that hell is often represented in churches, that is true, but it is not to promote it! A hell moreover mainly inspired, in Western iconography, by that of Dante Alighieri, who was not an adept of Satan. Likewise, great painters such as Caravaggio did indeed choose their female models from among prostitutes to paint figures of Christian women – Virgin or saints – but these models were anonymous and they effaced themselves before the subject treated. With Claire Tabouret, it seems the model is exalted for itself, in an association more than dubious between a bloodthirsty murderer and the Virgin.

It remains to be hoped that all this will be clarified as quickly as possible and that doubts will be definitively dispelled by not replacing the pre-existing stained glass windows of Notre-Dame, this temple of faith and of our History…